Mort Künstler talks about art and the American Spirit Exhibit with commentary by Franklin Hill Perrell, Chief Curator of the Nassau County Museum of Art in Roslyn, NY
Tuesday, February 17, 2009
Monday, February 9, 2009
The Little Orchestra Society Presents A Children's Concert Celebrating Lincoln's 200th:Honest Abe: Four Scores and More
Legendary Actor James Earl Jones Guest Narrator,
Renowned Violinist and Composer Mark O'Connor,
Production Designer Elliott Forrest, and Students from Opus 118 Harlem School of Music
New York City (Monday, February 9, 2009) - On February 28th at Avery Fisher Hall, Lincoln Center, Dino Anagnost and The Little Orchestra Society will present the year's most exciting children's concert in tribute to Abraham Lincoln and the music he inspired. "Honest Abe: Four Scores and More," part of the Happy Concerts for Young People series, will feature the legendary actor James Earl Jones; Mark O'Connor, one of America's greatest violinists; media designer and concert producer Elliott Forrest, and talented young musicians from Opus 118 Harlem School of Music in an afternoon of engaging music, living history, visual excitement and all-around fun for children ages 6 to 12.
"Music has the unique ability to frame extraordinary times in our nation's history," said Dino Anagnost, Music Director of The Little Orchestra Society. "Having just elected our nation's first African-American president during the bicentennial year of Abraham Lincoln, one of our nation's - and President Obama's - greatest inspirations, these are indeed extraordinary times. We are honored and excited to have an A-list roster of special guest musicians and artists to present an extraordinary concert that celebrates the great achievements of Lincoln and the music he inspired. We believe that "Honest Abe" will, in turn, inspire today's young people - who are a part of what people are calling the "Obama Generation" - to participate in the excitement of American history, politics, music and culture."
"Honest Abe: Four Scores and More," endorsed by the Abraham Lincoln Bicentennial Commission, will explore President Lincoln's extraordinary impact on both music and history, having inspired more works of music than any other American president. The concert will feature works by Aaron Copland and Morton Gould, as well as several original works written and performed by Mark O'Connor.
Actor James Earl Jones, who just last month received the prestigious Screen Actors Guild Lifetime Achievement Award, will narrate, bringing the amazing story of Lincoln to life. "The Little Orchestra Society has built its mission around engaging young people with classical music and has always found exciting ways to make music, art, and history come alive in the concert hall," said Mr. Jones. "I am thrilled to be a part of the Orchestra's celebration of one of America's most influential figures, Abraham Lincoln, and relish the opportunity to help young people learn about America's journey as a nation."
Mark O'Connor is one of America's most celebrated violinists and composers and well known for his work with young music students. He will perform original works and lead the young violinists from Opus 118 Harlem School of Music in the rousing "Fiddler's Dream." "Abraham Lincoln was at the center of one of our nation's most defining moments and some of our country's most gifted composers and musicians took note, incorporating the drama of the Civil War and the fight for our union into truly great pieces of music," said Mr. O'Connor. "It is a privilege to be part of this artistic tribute to Abraham Lincoln that celebrates what he means to our culture today."
Elliott Forrest is a producer, director, designer and broadcaster. For "Honest Abe," Mr. Forrest has created and selected images, paintings, animations and video to be projected on a giant screen above the orchestra at Avery Fisher Hall culminating in a moving theatrical experience. "President Lincoln is one of our country's most memorable figures, lived during the early use of photography and remains an unending inspiration for artists," said Mr. Forrest. "I think that young people will be excited by the grand scale of this production -- the glorious music, narration, lighting and big-screen imagery."
Sources of Mr. Forrest's material include The Library of Congress, the Gilder Lehrman Institute of American History, the Wendall Harrington Collection and paintings by Mort Künstler, the foremost living painter of the Civil War.
This is the first of two concerts from The Little Orchestra Society to celebrate the Lincoln Bicentennial. On Monday evening, March 23, 2009 at the newly-renovated Alice Tully Hall, Lincoln Center, James Earl Jones, Mark O'Connor and Elliott Forrest rejoin Dino Anagnost and the Orchestra to present "A Lincoln Portrait: Four Scores and More," part of the Orchestra's Concerts for Adults series.
Renowned Violinist and Composer Mark O'Connor,
Production Designer Elliott Forrest, and Students from Opus 118 Harlem School of Music
New York City (Monday, February 9, 2009) - On February 28th at Avery Fisher Hall, Lincoln Center, Dino Anagnost and The Little Orchestra Society will present the year's most exciting children's concert in tribute to Abraham Lincoln and the music he inspired. "Honest Abe: Four Scores and More," part of the Happy Concerts for Young People series, will feature the legendary actor James Earl Jones; Mark O'Connor, one of America's greatest violinists; media designer and concert producer Elliott Forrest, and talented young musicians from Opus 118 Harlem School of Music in an afternoon of engaging music, living history, visual excitement and all-around fun for children ages 6 to 12.
"Music has the unique ability to frame extraordinary times in our nation's history," said Dino Anagnost, Music Director of The Little Orchestra Society. "Having just elected our nation's first African-American president during the bicentennial year of Abraham Lincoln, one of our nation's - and President Obama's - greatest inspirations, these are indeed extraordinary times. We are honored and excited to have an A-list roster of special guest musicians and artists to present an extraordinary concert that celebrates the great achievements of Lincoln and the music he inspired. We believe that "Honest Abe" will, in turn, inspire today's young people - who are a part of what people are calling the "Obama Generation" - to participate in the excitement of American history, politics, music and culture."
"Honest Abe: Four Scores and More," endorsed by the Abraham Lincoln Bicentennial Commission, will explore President Lincoln's extraordinary impact on both music and history, having inspired more works of music than any other American president. The concert will feature works by Aaron Copland and Morton Gould, as well as several original works written and performed by Mark O'Connor.
Actor James Earl Jones, who just last month received the prestigious Screen Actors Guild Lifetime Achievement Award, will narrate, bringing the amazing story of Lincoln to life. "The Little Orchestra Society has built its mission around engaging young people with classical music and has always found exciting ways to make music, art, and history come alive in the concert hall," said Mr. Jones. "I am thrilled to be a part of the Orchestra's celebration of one of America's most influential figures, Abraham Lincoln, and relish the opportunity to help young people learn about America's journey as a nation."
Mark O'Connor is one of America's most celebrated violinists and composers and well known for his work with young music students. He will perform original works and lead the young violinists from Opus 118 Harlem School of Music in the rousing "Fiddler's Dream." "Abraham Lincoln was at the center of one of our nation's most defining moments and some of our country's most gifted composers and musicians took note, incorporating the drama of the Civil War and the fight for our union into truly great pieces of music," said Mr. O'Connor. "It is a privilege to be part of this artistic tribute to Abraham Lincoln that celebrates what he means to our culture today."
Elliott Forrest is a producer, director, designer and broadcaster. For "Honest Abe," Mr. Forrest has created and selected images, paintings, animations and video to be projected on a giant screen above the orchestra at Avery Fisher Hall culminating in a moving theatrical experience. "President Lincoln is one of our country's most memorable figures, lived during the early use of photography and remains an unending inspiration for artists," said Mr. Forrest. "I think that young people will be excited by the grand scale of this production -- the glorious music, narration, lighting and big-screen imagery."
Sources of Mr. Forrest's material include The Library of Congress, the Gilder Lehrman Institute of American History, the Wendall Harrington Collection and paintings by Mort Künstler, the foremost living painter of the Civil War.
This is the first of two concerts from The Little Orchestra Society to celebrate the Lincoln Bicentennial. On Monday evening, March 23, 2009 at the newly-renovated Alice Tully Hall, Lincoln Center, James Earl Jones, Mark O'Connor and Elliott Forrest rejoin Dino Anagnost and the Orchestra to present "A Lincoln Portrait: Four Scores and More," part of the Orchestra's Concerts for Adults series.
Saturday, November 15, 2008
New Release: "My Friend, The Enemy"
We talked the matter over and could have settled the war in thirty minutes had it been left to us." So said a Southern solider after he and a Northern counterpart sat on a log between the lines and enjoyed an unauthorized but friendly chat. As Americans, Johnny Reb and Billy Yank had far more in common than typical combatants. That familiarity was frequently revealed in friendly contact between the lines.
Saturday, November 8, 2008
Human Decency During War
Nov. 8, 2008
By Michael Aubrecht, The Free Lance-Star
Perhaps the most adverse consequence of any civil war is the division of a population that was once united. Citizens who are born and bred under the same flag, who share the same history and worship the same god, find themselves unable to resolve a political dispute. Debate turns to argument, and the two sides end up destroying each other in the name of their causes. This tragedy of "brother versus brother" was repeatedly played out on battlefields all across America from 1861 to 1865.
Yet when we examine the conflict today, we tend to focus completely on the differences between the Union and Confederate soldiers instead of their commonalities. It's far too easy for us to forget that they were all once part of the same sovereign nation.
Throughout the War Between the States, troops from both sides of the Mason-Dixon line routinely laid down their arms to trade supplies and conversed with the "enemy." Here in Fredericksburg, there are several accounts of weary pickets on opposite sides of the Rappahannock River participating in these temporary truces.
Incidents like these were not at all about military diplomacy. They were about finding a common ground and practicing human decency amid the madness of war. Trading allowed enemies to come together, in peace, between episodes of killing.
The benefits were mutual. Federal troops always had an abundance of coffee and sugar, while Confederate soldiers had a surplus of Southern tobacco. Newspapers were especially popular to exchange, as it was interesting to read the war news from the other's viewpoint.
This sentiment is the backdrop for renowned Civil War artist Mort Künstler's newest snow print, "My Friend, the Enemy." This painting was inspired by a poignant scene in the film "Gods and Generals" and captures Billy Yank and Johnny Reb sharing their meager supplies downriver from the town of Fredericksburg.
The painting depicts two soldiers, one Northern and one Southern, enjoying each other's coffee and tobacco as if the war had stopped, if only for a moment. The skyline of Fredericksburg provides a dramatic backdrop, and the courthouse and church spires are clearly identifiable. Other troops stand among the snow-covered trees in the background, and two subtly rendered soldiers are using a rope to move a hollowed-out log across the river.
As usual, Künstler's composition is remarkable and his brilliant use of line and light draws the viewer's eye around the canvas. The perspective is looking west, just as the battered silhouette of Fredericksburg is being swallowed up by a brilliant sunset.
In a telephone interview, the artist explained the mind-set behind his creation of this contemplative scene. Künstler said: "I have wanted to do a piece that simply focused on the common soldier for a while. I look at myself like a baseball pitcher. When you expect a fastball, they throw you a curve. I had just completed several day scenes that featured prominent military officers in action, and wanted to paint something different."
He added: "This piece was a complete departure from those themes. Here I chose to use a sunset, with subtle movement, and feature 'regular Joes.'"
His studio, Künstler Enterprises Ltd., is in Oyster Bay, N.Y., and he has painted more than 5,000 images throughout his career. Prints of his work are priced from $225 to $3,200, and original paintings command as much as $100,000. This newest painting, like all of his work, required considerable research in order to produce an accurate depiction.
For this pictorial study, the painter traveled to areas on the Rappahannock River that were shallow and fordable. He consulted maps as well as photographs of the city's original buildings and bridge columns. The weather is also an essential ingredient in these scenes, and he noted the placement of the sun to enhance the accurate skyline.
Künstler explained the process. "I always try to visit the exact location, whenever possible," he said. "I do my best to schedule these trips during the same season, and time of the day or night. That way I can see what the sky, trees and lighting was like."
Originality is also a major factor in Künstler's work, and he has been applauded over the years for tackling rarely portrayed subject matter and integrating extremely complex imagery. These include horse-drawn artillery caissons, steam locomotive engines and Victorian streetscapes that appear to leap from the canvas.
"Originality is something that every artist wants to achieve," Künstler said. "Every one of us has an ego to some degree, and I feed it by doing things that no one else has done before." He joked, "When you paint something that no one else has done, it's the best."
This newest piece by Künstler captures a quiet moment that stands in stark contrast to the usual Civil War paintings of Fredericksburg that dominate other period artists' work. Most depict either the disastrous Federal charge at the stone wall, or the ransacking of the shelled-out city.
Local collectors and fans who are familiar with the Künstler catalog may liken this release to another tender moment that the artist chose to capture in his "Angel of Marye's Heights," which depicts Sgt. Richard Rowland Kirkland giving water to the wounded enemy.
"These kinds of scenes are really special for me to paint," said Künstler, "as they bring the little guy to the forefront. I do enjoy painting the larger-than-life generals and presidents, but it's the regular everyday soldier that is often forgotten."
He added: "The most touching stories from the war are always about the little guys on both sides. I tried to capture their mutual suffering and respect in this piece."
Fredericksburg has always been a favorite backdrop for Künstler, who has painted more than 12 pieces featuring the area. "I absolutely love the town," he confessed. "Every time that I visit, the people are always wonderful, and the rich history that surrounds the city provides all the inspiration a painter could ever need."
The artist will be in Fredericksburg to unveil "My Friend, the Enemy" and sign prints of his painting on Saturday, Nov. 15, from 10 a.m. to 3 p.m. at VFW Post 3103 at 2701 Princess Anne St.
Sponsor Don McKenzie of King James Galleries said in an e-mail: "We anticipate that much of our inventory of 'My Friend, the Enemy' will sell out prior to the signing. We are recommending that people call and pre-order now. We will then bring the orders to the event for the customers."
Additional Mort Künstler prints, framed and unframed, also will be available. Those interested in reserving a print for the day of the signing may call the gallery at 888/217-1865.
Künstler made a point, in closing, to acknowledge his own excitement about the print and the signing. "I have wanted to paint this scene for a very long time, and now that I have, I am so very thankful that it has been received with such enthusiasm. I can't wait to share it with everyone."
Michael Aubrecht is a Fredericksburg-area author and historian. Visit his Web site at pinstripepress.net. E-mail him in care of gwoolf@freelance star.com.
By Michael Aubrecht, The Free Lance-Star
Perhaps the most adverse consequence of any civil war is the division of a population that was once united. Citizens who are born and bred under the same flag, who share the same history and worship the same god, find themselves unable to resolve a political dispute. Debate turns to argument, and the two sides end up destroying each other in the name of their causes. This tragedy of "brother versus brother" was repeatedly played out on battlefields all across America from 1861 to 1865.
Yet when we examine the conflict today, we tend to focus completely on the differences between the Union and Confederate soldiers instead of their commonalities. It's far too easy for us to forget that they were all once part of the same sovereign nation.
Throughout the War Between the States, troops from both sides of the Mason-Dixon line routinely laid down their arms to trade supplies and conversed with the "enemy." Here in Fredericksburg, there are several accounts of weary pickets on opposite sides of the Rappahannock River participating in these temporary truces.
Incidents like these were not at all about military diplomacy. They were about finding a common ground and practicing human decency amid the madness of war. Trading allowed enemies to come together, in peace, between episodes of killing.
The benefits were mutual. Federal troops always had an abundance of coffee and sugar, while Confederate soldiers had a surplus of Southern tobacco. Newspapers were especially popular to exchange, as it was interesting to read the war news from the other's viewpoint.
This sentiment is the backdrop for renowned Civil War artist Mort Künstler's newest snow print, "My Friend, the Enemy." This painting was inspired by a poignant scene in the film "Gods and Generals" and captures Billy Yank and Johnny Reb sharing their meager supplies downriver from the town of Fredericksburg.
The painting depicts two soldiers, one Northern and one Southern, enjoying each other's coffee and tobacco as if the war had stopped, if only for a moment. The skyline of Fredericksburg provides a dramatic backdrop, and the courthouse and church spires are clearly identifiable. Other troops stand among the snow-covered trees in the background, and two subtly rendered soldiers are using a rope to move a hollowed-out log across the river.
As usual, Künstler's composition is remarkable and his brilliant use of line and light draws the viewer's eye around the canvas. The perspective is looking west, just as the battered silhouette of Fredericksburg is being swallowed up by a brilliant sunset.
In a telephone interview, the artist explained the mind-set behind his creation of this contemplative scene. Künstler said: "I have wanted to do a piece that simply focused on the common soldier for a while. I look at myself like a baseball pitcher. When you expect a fastball, they throw you a curve. I had just completed several day scenes that featured prominent military officers in action, and wanted to paint something different."
He added: "This piece was a complete departure from those themes. Here I chose to use a sunset, with subtle movement, and feature 'regular Joes.'"
His studio, Künstler Enterprises Ltd., is in Oyster Bay, N.Y., and he has painted more than 5,000 images throughout his career. Prints of his work are priced from $225 to $3,200, and original paintings command as much as $100,000. This newest painting, like all of his work, required considerable research in order to produce an accurate depiction.
For this pictorial study, the painter traveled to areas on the Rappahannock River that were shallow and fordable. He consulted maps as well as photographs of the city's original buildings and bridge columns. The weather is also an essential ingredient in these scenes, and he noted the placement of the sun to enhance the accurate skyline.
Künstler explained the process. "I always try to visit the exact location, whenever possible," he said. "I do my best to schedule these trips during the same season, and time of the day or night. That way I can see what the sky, trees and lighting was like."
Originality is also a major factor in Künstler's work, and he has been applauded over the years for tackling rarely portrayed subject matter and integrating extremely complex imagery. These include horse-drawn artillery caissons, steam locomotive engines and Victorian streetscapes that appear to leap from the canvas.
"Originality is something that every artist wants to achieve," Künstler said. "Every one of us has an ego to some degree, and I feed it by doing things that no one else has done before." He joked, "When you paint something that no one else has done, it's the best."
This newest piece by Künstler captures a quiet moment that stands in stark contrast to the usual Civil War paintings of Fredericksburg that dominate other period artists' work. Most depict either the disastrous Federal charge at the stone wall, or the ransacking of the shelled-out city.
Local collectors and fans who are familiar with the Künstler catalog may liken this release to another tender moment that the artist chose to capture in his "Angel of Marye's Heights," which depicts Sgt. Richard Rowland Kirkland giving water to the wounded enemy.
"These kinds of scenes are really special for me to paint," said Künstler, "as they bring the little guy to the forefront. I do enjoy painting the larger-than-life generals and presidents, but it's the regular everyday soldier that is often forgotten."
He added: "The most touching stories from the war are always about the little guys on both sides. I tried to capture their mutual suffering and respect in this piece."
Fredericksburg has always been a favorite backdrop for Künstler, who has painted more than 12 pieces featuring the area. "I absolutely love the town," he confessed. "Every time that I visit, the people are always wonderful, and the rich history that surrounds the city provides all the inspiration a painter could ever need."
The artist will be in Fredericksburg to unveil "My Friend, the Enemy" and sign prints of his painting on Saturday, Nov. 15, from 10 a.m. to 3 p.m. at VFW Post 3103 at 2701 Princess Anne St.
Sponsor Don McKenzie of King James Galleries said in an e-mail: "We anticipate that much of our inventory of 'My Friend, the Enemy' will sell out prior to the signing. We are recommending that people call and pre-order now. We will then bring the orders to the event for the customers."
Additional Mort Künstler prints, framed and unframed, also will be available. Those interested in reserving a print for the day of the signing may call the gallery at 888/217-1865.
Künstler made a point, in closing, to acknowledge his own excitement about the print and the signing. "I have wanted to paint this scene for a very long time, and now that I have, I am so very thankful that it has been received with such enthusiasm. I can't wait to share it with everyone."
Michael Aubrecht is a Fredericksburg-area author and historian. Visit his Web site at pinstripepress.net. E-mail him in care of gwoolf@freelance star.com.
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